BIOGRAPHY

Born West Germany, 1949
Moved to Canada, 1953
Canadian Citizen

Resides Toronto, Ontario

Studied 1988 University of Toronto, Ontario, B.Ed., O.T.C.
1977 York University, Toronto, Ontario, M.F.A. (Visual Arts)
1974 York University, Toronto, Ontario, B.A. (Honours Visual Arts)

SELECTED SOLO EXHIBITIONS

2003 an objective correlative and its denial, Premier Dance Theatre, Harbourfront Centre, Toronto, Ontario
Play and delight, the possibilities are boundless, Artist’s Garden Project, Harbourfront Centre, Toronto, Ontario
Sites and Sentinels, Joseph D. Carrier Gallery, Toronto, Ontario
2002 “New prints and multiples”, Wynick/Tuck Gallery, Toronto, Ontario
2001 “the gift”, Agnes Etherington Art Centre, Kingston, Ontario
2000 “Ted Rettig”, I Space, Chicago, Illinois
1998 "Ted Rettig: Sculptures", The Art Gallery of Peterborough, Peterborough, Ontario
1997 "Imago Pacis" Wynick Tuck Gallery, Toronto, Ontario
1996 "Three Themes", The Station Gallery, Whitby, Ontario
1994 "New Work", The Gallery, Scarborough College, University of Toronto, Scarborough, Ont.
1992 "voices and spaces, Wynick/Tuck Gallery, Toronto, Ontario.
"Selected Works, 1976 - 1992", Regis College, University of Toronto, Toronto, Ontario.
"Six Drawings", Toronto Western Hospital, Toronto, Ontario.
"three easy pieces", Sir Wilfred Grenfell College, Memorial University, Corner Brook, Nfld.
1989 "balancing new words", Wynick/Tuck Gallery, Toronto, Ontario
"time and again", Memorial University Art Gallery, Arts and Culture Centre, St. John's, Newfoundland
"something more poussiere", Sir Wilfred Grenfell College Art Gallery, Memorial
University of Newfoundland, Corner Brook, Nfld. (catalogue)
1987 "New Sculpture and Drawings", Wynick/Tuck Gallery, Toronto, Ontario
1985 Struts Gallery, Sackville, New Brunswick
1984 "New Sculpture and Drawings", Wynick/Tuck Gallery, Toronto, Ontario
1983 Latcham Gallery, Stouffeville, Ontario
1982 Aggregation Gallery, Toronto, Ontario (now Wynick/Tuck Gallery)
1980 Aggregation Gallery, Toronto, Ontario

SELECTED GROUP EXHIBITIONS

2004 Gallery Artists, Wynick/Tuck Gallery, Toronto, Ontario
2003 The Boat Show, Wynick/Tuck Gallery, Toronto, Ontario
luxury, hymn and riddle, sis boom bah, Toronto, Ontario
Station Crossings: Timeless Passages, The Station Gallery, Whitby, Ontario
2003 X’uan Motion, The contemporary language of X’uan paper, IS Gallery, Markham, Ontario
More gifts that fit, A Space, Toronto, Ontario
2002 Toronto International Art Fair, Wynick/Tuck Gallery, Toronto, Ontario
2001 “International Tsai-mo Art Internet Show”, Taichung, Taiwan
“Botanica: Contemporary art and the world of plants”, Western Gallery, Western Washington University, Bellingham, Washington
“Botanica” Kresge Art Museum, Michigan State University, East Lansing, Michigan
“ Botanica”, University Gallery, University of Delaware, Newark, Delaware
2000 “Botanica”, Chicago Cultural Center, Chicago, Illinois
“Botanica”, Table Art Center, Eastern Illinois University, Charleston, Illinois
“Botanica”, Alexandria Museum of Art, Alexandria, Louisiana
“Botanica”, Carleton College Art Gallery, Carleton College, Northfield, Montana
“Botanica”, University Galleries, Illinois State University, Normal, Illinois
“Informal Ideas: 00.3 (Play)”, Wynick/Tuck Gallery, Toronto, Ontario
“MEAT in Montreal”, Gallery 418, Belgo Building, Montreal Quebec
“Station Recollections, 30 in 2000”, The Station Gallery, Whitby, Ontario
“Visual Ecologies and Everyday Matters”, Agnes Etherington Art Centre, Kingston, Ontario
1999 "Art 1999 Chicago," Wynick/Tuck Gallery at Art 1999 Chicago, Navy Pier, Chicago
"Visiting Artist Exhibition, Sheila Bulter & Ted Rettig," Open Studio Gallery, Toronto, Ontario
"Botanica, Contemporary art and the world of plants," Tweed Museum of Art, Duluth, Minnesota
"Connections, three lawyers, a curator and a priest," The Station Gallery, Whitby, Ontario
"Botanica, Contemporary art and the world of plants," Plains Art Museum, Fargo, ND
"Meat," Toronto, Ontario
"Beyond the Century, The 4th International Exhibition of Tsai-Mo Art," Taichung Municipal Cultural Center, Taichung, Taiwan.
"Common Ground", The Station Gallery, Whitby, Ontario
"Informal Ideas 99.1 (Preview '99), Wynick/Tuck Gallery, Toronto, Ontario
1998 "Common Ground", The Frederick Horsman Varley Art Gallery of Markham, Markham, Ontario
"Layers", Wynick/Tuck Gallery, Toronto, Ontario
"Common Ground", York Quay Gallery, Harbourfront Centre, Toronto, Ontario
"Pentimento", Art Gallery of Peterborough, Peterborough, Ontario
"Art 1998 Chicago", Wynick/Tuck Gallery at Art 1998 Chicago, Navy Pier, Chicago
1997 "Work/Site, 15 Years in the Toronto Sculpture Garden" Art Gallery of Ontario, Toronto, Ontario
"Pentimento", The Station Gallery, Whitby, Ontario
"Small Sculpture, A Selection from the Permanment Collection" Agnes Etherington Art Centre, Kingston, Ontario
"ARCO '97" Wynick/Tuck Gallery at ARCO International Contemporary Art Fair, Madrid, Spain.
1996 "Installed at The Art Gallery of Hamilton" Art Gallery of Hamilton, Hamilton, Ont.
"Pentimento," Gallery Lambton, Sarnia, Ont.
"Seven Deadly Sins," C Magazine at Lonsdale Gallery, Toronto, Ont.
Art Fair, Cold City Gallery, Toronto, Ont.
1995 "Pentimento," Cambridge Art Gallery, Cambridge, Ont.
"20th Anniversary Invitational Exhibition," Museum for Textiles, Toronto, Ont.
1994 "Festive Banquet," York Quay Gallery, Harbourfront, Toronto, Ont.
"The Donovan Collection", Art Gallery of Hamilton, Hamilton, Ont.
"Transitional States of Mind and Body", York Quay Gallery, Harbourfront, Toronto, Ont.
1994 "Textiles, that is to say...," The Museum for Textiles, Toronto, Ont. and OR Gallery, Vancouver, B.C.
1992 "The St. John's Fire Show," Eastern Edge, St. John's, Nfld.
1991,1992 CIAE, Wynick/Tuck Gallery, Chicago International Art Exposition
1991 "Self-portraits," Eastern Edge, St. John's, Nfld.
1990 "Some Recent Canadian Drawings," Faculty of the Visual Arts Gallery, Sheridan College,
Oakville, Ontario
"Rock, is there something you're not telling me?" The Koffler Gallery, North York, Ontario
"Members Group Show" ,Eastern Edge Gallery, St. John's, Newfoundland
1990 "Out of the Studio II," Memorial University Art Gallery, Arts and Culture Centre,
St. John's, Newfoundland
1988 "Personification", Glendon Art Gallery, York University, Toronto, Ont.
1987 "pronounced White (whit)", Oakville Galleries, Oakville, Ontario
1987 "Passage", Burlington Cultural Centre, Burlington, Ont. (cat.)
1986 "Cologne Art `86", Cologne Art Fair, Cologne, West Germany
1985 "Contemporary Canadian Sculpture from the Canada Council Art Bank", Winnipeg Art Gallery, Manitoba (catalogue)
"Re: Union", Art Gallery of York University, Toronto, Ontario
"Totemic Impulsion", Galerie Schweitzer, Montreal, Quebec
1984 "Toronto/Drawing", Wynick/Tuck Gallery, Toronto, Ontario
1983 "Critics Choice", Art Gallery of Ontario Rental Gallery, Toronto, Ont.
"Inside the Studio, Artists with their Children", Art Gallery at Harbourfront, Toronto, Ontario
"Explorations", Cedar Ridge Art Gallery, Scarborough, Ontario
1982 Group Show, Toronto Sculpture Garden, Toronto, Ontario
1981 "Paper and Sculpture", Koffler Gallery, Toronto, Ontario
"Chinese Fans by Six Artists", Great Wall Gallery, Toronto, Ontario
"First Purchase" , Art Gallery at Harbourfront, Toronto, Ontario
1980 "New Faces: The Artists' Choice", Glendon Art Gallery, York University, Toronto, Ont.
"Art Gallery of Ontario Gallery School Faculty Show" ,Factory 77, Toronto, Ontario
"Sculpture as Image", Harbourfront Art Gallery, Toronto, Ontario
1979 "Proposals, Group Show", Revolution Gallery, Toronto, Ontario
"Small Sculpture", Harbourfront Art Gallery, Toronto, Ontario
1978 "S/10 Six Alumni Sculptors".York University, Toronto, Ontario
"No Pictures Please",A Space, Toronto, Ontario
1977 M.F.A. Thesis Show. I.D.A. Gallery, York University, Toronto, Ont.
1976 "Two Sculptors",York University, Toronto, Ontario
1975 Graduate Student Group Show, University of Toronto, Toronto, Ontario
"Sculptors Group Show" , Nova Scotia College of Art & Design, Halifax, N.S.
1974 "Three New Artists", Aggregation Gallery, Toronto, Ontario (now Wynick/Tuck Gallery)
1974-on Gallery Artists, Aggregation Gallery, Toronto, Ontario

SELECTED PRINCIPAL COLLECTIONS

Private and public collections including:

Agnes Etherington Art Centre, Kingston, Ontario.
Art Gallery of Hamilton, Hamilton, Ontario
Art Gallery of Ontario, E.P. Taylor Library, Artists' Bookworks Collection
Canada Council Art Bank, Ottawa, Ontario
Christian Keesee Collection, Oklahoma City, Oklahoma, USA
Government of Ontario Art Collection, Toronto, Ontario
National Gallery of Canada Library, Artists’ Bookwork Collection
Nickel Arts Museum, Calgary, Alberta
Olympia & York Companies, New York, NY
Saccidananda Community, Shantivanam, Tamil Nadu, South India
Scarborough College, University of Toronto, Toronto, Ontario.
Sir Wilfred Grenfell College, Memorial University of Newfoundland, Corner Brook, Nfld.
St. Michael's College, University of Toronto, Toronto, Ontario
The Robert McLaughlin Gallery, Oshawa, Ontario
The Station Gallery, Whitby, Ontario

AWARDS

2003 Fund for the Support of Artistic Production Grant, Queen’s University
2001 Canada Council “A” Grant
2000 Canada Council Travel Grant
2000 Ontario Arts Council Exhibition Assistance Grant
2000 Fund for the Support of Artistic Production Grant, Queen’s University
1999 Ontario Arts Council Exhibition Assistance Grant
1998 Fund for Support of Artistic Production Grant, Queen's University
1997 Ontario Arts Council for the Common Ground exhibition project
1995 Ontario Arts Council Grant
1990 Canada Council Project Grant
1988 Canada Council Project Grant
1987 Canada Council Project Grant
1987 Arts in the Schools Grant, Ontario Arts Council
1987 Peter E. Sheehan Memorial for the Arts Award
1986 Canada Council Project Grant
1984 Canada Council Project Grant
1983 Canada Council "B" Grant
1982 Canada Council Project Grant
1980 Canada Council Short-Term Grant
1977 Canada Council "B" Grant
1976 Ontario Arts Council Grant

COMMISSIONS

Providence Centre, Scarborough, Ontario
Emanuel Convalescence Centre, South Down, Aurora, Ontario

TEACHING POSITIONS

1997-present Queen's University, Department of Art, Kingston, Ontario, Associate Professor
2000 York University, Department of Visual Arts, Toronto, Ontario, Course Director
1997,99 York University, Department of Visual Arts, Toronto, Ontario, Instructor
1996 Queen's University, Department of Art, Kingston, Ontario, Adjunct Assistant Professor
1995 Dundas Valley School of Art, Instructor
1994 University of Toronto, Erindale College and Sheridan College, Department of Art and Art History, Instructor
1993-98 Art Gallery of Ontario, Education Department, Toronto, Ontario, Education Officer
1998-94 Department of Visual Arts, Sir Wilfred Grenfell College Memorial University of
Newfoundland, Cornerbrook, Nfld. Associate Professor,
1988 Nova Scotia College of Art and Design, Halifax, N.S., Course Director, Studio Division
1986-87 Art Gallery of Ontario, Toronto, Ont., Education Officer
1979-81 Art Gallery of Ontario, Toronto, Ont., Studio Visit Artist & Gallery, School Instructor
1979-80 The New School, Three Schools, Toronto, Ont., Course Director
1978-80 Artists Workshop, Three Schools, Toronto, Ont., Course Director
1975-77 York University, Toronto, Ontario, Teaching Assistant
1974-75 Nova Scotia College of Art and Design, Halifax, N.S., Teaching Assistant
1974 North York Summer Arts Program, North York, Ontario, Instructor

RELATED EXPERIENCE

2003 Co-chair and co-organizer of a session of papers, “Recent Developments in East Asian, South Asian and Islamic Art,” UAAC Conference, Queen’s University, Kingston, Ontario
2001 Juror, Community Exhibition, The Station Gallery, Whitby, Ontario
1999 Guest artist residency, Open Studio, Toronto, Ontario
1999 Member, Federation of International Tsai-mo Artists, Taichung, Taiwan
1997-on Co-curator, Common Ground, An Inter-Cultural Dialogue and Exhibition Project, Toronto, Ontario
1997 Juror, Ontario Arts Council, Visual Arts Grants
1997 Juror, Ontario Arts Council, Toronto, Ontario, Artists in Schools Grants
1997 Member, Program Committee, Trinity Square Video, Toronto, Ontario
1993-94 Toronto Correspondent, Espace Sculpture, Montreal, Quebec
1991 Chair for session of artists' papers, "Nature and Art, Practice and Theory,"
Universities Art Association of Canada Conference, Queen's University, Kingston, Ontario.
1991 Jury Member, Canada Council, "B" Grant Competition, Ottawa, Ontario
1990 Curator, The Collector's Show, Sir Wilfred Grenfell College Art Gallery, Cornerbrook, Newfoundland.
1989 Chair for session of papers, Universities Art Association of Canada Conference,
University of Manitoba, Winnipeg, Manitoba.
1987 Jury Member, Canada Council Art Bank, Ottawa, Ontario
1982 Curator, "Chinese Fans by Six Artists", Great Wall Art Gallery, Toronto, Ontario

GUEST LECTURER/VISITING ARTIST

2001 Agnes Etherington Art Centre, Kingston, Ontario
1999 Open Studio, Toronto, Ontario
1998 The Art Gallery of Peterborough, Peterborough, Ontario
1997 McMaster University, Hamilton, Ontario
1996 Queen's University, Department of Art, Kingston, Ontario
1994 Ontario College of Art, Toronto, Ontario
1992 Regis College, University of Toronto, Toronto, Ontario
1992 Dundas Valley School of Art, Dundas, Ontario.
1990 Ignatius College, Guelph, Ontario.
1990 Dundas Valley School of Art, Dundas, Ontario.
1990 McMaster University, Hamilton, Ontario.
1989 Memorial University Art Gallery, St. John's, Nfld.
1988 Sir Wilfred Grenfell College, Memorial University of Newfoundland
1988 Nova Scotia College of Art and Design, Halifax, N.S.
Emily Carr College of Art and Design. Vancouver, B.C.
1987-1988 York University, Toronto, Ontario.
1986-1987 University of Toronto, Toronto, Ontario.
1985 M.F.A. Programme, York University, Toronto, Ontario.

PAPERS AND PUBLICATIONS

2003 “Contemporary Chinese Ink Painting and Reflections on Inter-cultural Dialogue,” in the session entitled, Recent Developments in East Asian, South Asian and Islamic Art, at the Universities Art Association conference, Queen’s University, Kingston, Ontario, slide lecture.
2003 “Contemporary Ink Wash Painting and Approaches to Modernism from Differing Cultural Perspectives,” in inkcredible 6+, Chinese Contemporary Ink and Wash. Toronto: published by the artists, catalogue article.
2003 “Creative energies in Floating Ink: Reflections on the Paintings of Anita Lau,” in The World of Ink: Paintings of Anita Lau, 2003. Hong Kong: published by the artist, April/May 2003, catalogue essay.
2003 “So Far, So Close,” in Image, A Journal of the Arts and Religion. Seattle, Spring 2003, no. 38, Pp. 48 – 50, article.
2003 “Kai Chan, Buddha’s Eyes,” in Lola. Toronto, Spring 2003, vol. 7, no. 2, p. 39, review..
2003 “Chinese Painting, Gardens and Cultural Sites, Sung to Qing Dynasties,” Ai-Ching Mandarin School, Toronto, Ontario, illustrated lecture.
2002 Critical and educational audio tape, 5 min. Henry Moore Sculpture Centre, Art Gallery of Ontario, Toronto, Ontario
2002 “Contemporary Ink Wash Painting and Approaches to Modernism from Differing Cultural Perspectives,” a critical essay used as an introductory text for the exhibition “Contemporary Ink Painting of Canada and China,” held at the Chinese Cultural Centre of Greater Toronto,
Toronto, Ontario
2001 “An Overview of Installation Work, 1960’s to 1997”, slide lecture in Clive Robertson’s course
ARTH 319, Queen’s University, Kingston, Ontario
1999 "Meat," contributions to two limited edition catalogues of artists' projects
1999 Introduction to catalogue, "Common Ground", Whitby, The Station Gallery, Whitby, Ontario
1999 "Chinese Paintings and Gardens, from 960 to 1800", The Station Gallery, Whitby, Ontario, slide lecture
1998 Short article in Ted Rettig: Sculpture, Peterborough, The Art Gallery of Peterborough, exhibition folder
1998 "Chinese Paintings and Gardens, from 960 to 1800", The Frederick Horsman Varley Art Gallery of Markham, Ontario, slide lecture
1995 Artist's Statement in Ted Rettig, Three Themes 1975-1995, Whitby, The Station Gallery, exhibition folder.
1994 "On Tim Whiten's Mythic and Metaphysical Explorations", Espace Montreal, no.26 Winter 1994 pp.19-23
1992 "Constructing a Cultural Perspective Using Chinese Artworks and Works from the Permanent Collection of the Art Gallery of Ontario". Education Department , The Art Gallery of Ontario, Toronto, Ont.
1993 "Contextualizing the Work of Reinhard Reitzenstein", Espace, Montreal, no. 25, Fall 1993, pp. 33-36
1993 "Robin Collyer at the AGO", Espace, Montreal, no. 24, Summer 1993, pp. 10-13
1991 "Five Community Based Studio Projects for Art Students", Ontario Society for Education Through Art Conference, Toronto, Ontario.
1991 "Nature and Depth Experience in a Cross-Cultural Context," Universities Art Association of Canada, Queen's University, Kingston, Ontario.
1991 "Reflections on Postmodernist Theory", Harbour, Montreal, Harbour Art Texts, Vol. 1, #2, Spring 1991, pp. 44-47
1991 "Chinese Paintings, Gardens and Ceramics", Sir Wilfred Grenfell College, Memorial University of Newfoundland, Cornerbrook, Nfld. Illustrated lecture.
1989 "Three Perceptions of Time and Space", Time and Space Conference, Sir
Wilfred Grenfell College, Memorial University of Newfoundland, Corner Brook, Nfld.
1990 "Reflections on Postmodernist Theory from the Perspective of Religious
Experience", Universities Art Association of Canada, University of Manitoba, Winnipeg, Manitoba.
1986 "Postmodernist Theory and the Unconditional, a discussion with reference to the
work of Victor Burgin", Universities Art Association of Canada, Nova Scotia College of Art and Design, Halifax, Nova Scotia.
1983 "The Symbolic Dimension and Awareness, in Mass Media, Religious Experience and the Fine Arts", Universities Art Association of Canada, Carleton University, Ottawa, Ontario.
1983 Impressions, 30, Winter/Spring
1979 "The Contemplative Films of Yasunari Ozu", Artist Review, A.C.T., Toronto, Ontario
1978 "Stone Carving", S/10, Sculpture Today, International Sculpture Centre, Princeton, New Jersey
1978 "Robin Collyer at Carmen Lamanna", Artist Review, A.C.T., Toronto, Ontario
1978 "Stone Carving Workshop", 10th International Sculpture Conference, York University, Toronto, Ontario

SELECTED BIBLIOGRAPHY

2002 Dault, Gary Michael. “Rettig and Livingston at Wynick/Tuck,” The Globe and Mail, Toronto, Saturday, June 15, 2002, p. R9, review.
2002 Paquet, Bernard. “La technologie ne tient qu’ à un fil,” in Vie des Arts, Montreal, no. 187, p. 87, review.
2002 McElroy, Gil. “Ted Rettig,” in Sculpture, Washington, no. 21.3, April 2002, p. 76, 76, review.
2001 Donovan, Dan. Signs of the Spirit: The Donovan Collection at St. Michael’s College. Toronto: University of St. Michael’s College
2001 Philipart, David. Environment and Art Letter, Chicago: Liturgy Training Publications, Volume 14, Number 1, March 2001, article and cover photo.
2000 Paulocik, Linda, Station Recollections, 30 in 2000. Whitby: The Station Gallery, catalogue
2000 Ross, Val, “Musings on the cybermuseum,” The Globe and Mail, Toronto, Saturday, May 13, page V4
1999 "A Believer," in Canadian Art, Volume 16, number 4, Winter
1999 "Botanica, Contemporary art and the world of plants," Duluth: Tweed Gallery of Art
1999 Osbourne, Catherine. "Our Orbits," in an exhibition folder for the Visiting Artist Exhibition, Sheila Butler and Ted Retting, Open Studio Gallery, Toronto
1999 "Where's the beef?" National Post, Toronto, November 6, 1999
1999 "Beyond the Century, International Tsai-Mo Art Exhibition," Taichung: Art Show Publishing House
1998 Grande, John K. "Voices and Spaces: Ted Rettig", in Interwinning, Landscape, Technology, Issues, Artists, Montreal: Black Rose Press.
1998 Porter, J.S., "Ted Rettig's Stones, Reflections on a Gathering of his Sculpture and Drawings", in Grail, Volume 14, Issue 2, June 1998.
1998 Greer, Rina (ed.), Toronto Sculpture Garden, Toronto: Toronto Sculpture Garden.
1998 Ross, Val, "Using Modern Art for Glimpses of Grace", The Globe and Mail, November 18.
1998 Catholic New Times, January 25, 1998 p. 16, photograph.
1998 Sing Tao Daily, October 17, 1998 p.7 "Common Ground" photos and text in Chinese.
1998 Ming Pao Daily, October 17, 1998 "Common Ground" photos and text in Chinese.
1998 Ming Pao Daily, October 11, 1998 "Common Ground" photos and text in Chinese.
1998 World Journal Daily News, October 8, 1998, "Common Ground" text in Chinese.
1998 Sing Tao Daily, October 8, 1998, p.9 "Common Ground" photos and text in Chinese.
1997 Holubizky, Ihor, Shape Shifters, Hamilton, Art Gallery of Hamilton, catalogue
1997 MacKay, Gillian, "Gallery Going", The Globe and Mail, Gallery Going, Sept,13, 1997
1997 MacKay, Gillian, "Visual Pilgrim's Progress," The Globe and Mail, July 19, 1997, p C12
1996 Taylor, David, Pentimento: Veils of Memory, Gallery Lambton, Sarnia, catalogue.
1996 Holobizky, Ihor, "Ted Rettig, Adrift with a Certain Density of Aspirations," Art Gallery of Hamilton, Hamilton, Ontario, Gallery Information sheet.
1996 Matthews, Rod, Introduction to Ted Rettig, Three Themes 1975-1995, The Station Gallery, Whitby, Ontario, exhibition folder.
1996 Nesirevic, Admira, "Ted Rettig, Three Themes 1975-1995," Backbeat, p. 10, Whitby, review.
1994 Grande, John, Balance, Art and Nature, Black Rose Press, 1994, p.11
1994 Donovan, Daniel, "Becoming Involved with Art", in Selected Works from the Collection of Daniel Donovan, catalogue, Art Gallery of Hamilton, Hamilton, Ontario
1994 McGrath, Jerry, "Textile, that is to say," Parachute 76, Fall 1994, review, pp. 60, 61.
1994 Heath, Terrence, "Crafty Recoiling", Border Crossings, Summer 1994, review, pp. 70, 72.
1994 Gustafsen, Paula, "Textiles, that is to say," The Georgia Straight, review, p. 37.
1994 Hanna, Deirdre, Now, review, March 10-16.
1994 Cover photo for Surfacing, vol. 16, No. 1, Summer 1994
1994 Taylor, Kate, "Trying to Separate Art from Craft", Globe and Mail, review, April 8, 1994, p. D5
1994 Girling, Oliver, eye weekly, review, March 31, 1994, p. 41/
1994 Armstrong, John and Sarah Quinton, Textiles. that is to say, Toronto: The Museum for Textiles, catalogue.
1993 Nakoneshny, Shane, Arts Atlantic, no. 46, Spring/Summer 1993, pp. 12-13, review.
1993 Grande, John K. Ted Rettig,"Voices and Spaces, New Sculpture, Installations and Multiples",
Espace 22, Winter 1993, pp.20-22.
1990 Holubizky, Ihor. Rock, is there something you're not telling me?, catalogue, The Koffler Gallery,
North York, Ontario.
1990 Stone, Caroline. Out of the Studio II, catalogue, Art Gallery, Memorial University of Newfoundland,
St. John's, Newfoundland.
1989 Mays, John Bentley. The Globe and Mail, review, December 15, p. C12.
1989 O'Neill, Colleen. Ted Rettig: time and again, catalogue, Memorial University Art Gallery, St. John's, Newfoundland.
1987 Webb, Marshall. Passage, catalogue, Burlington Cultural Institute, Burlington, Ontario.
1985 Lupri-Esker, Claudia. Re-Union, catalogue, Art Gallery of York University, Toronto, Ontario.
1984/85 Oille, Jennifer. Vanguard, review, December/January, p. 30.
1984 Mays, John Bentley. The Globe and Mail, review, October 4, p. E4.
1983 Aarons, Anita. Inside the Studio, Artists with their Children, catalogue,
Art Gallery at Harbourfront, Toronto, Ontario.
1983 Critic's Choice, catalogue, Art Rental Service, Art Gallery of Ontario, Toronto, Ontario.
1982 Visual Arts Ontario, Art in Architecture: art and the built environment in the province of Ontario, May, p. 25.
1980 Sax, Gail. "Dualism and the Everyday", The Varsity, vol. 102, no. 53, February 26.
1982 Greer, Rina. "Toronto, Sculpture Garden", Sculptures International, vol.1, no.3, I.C.S., Washington, D.C.
1982 Slate, Toronto Gallery Guide, Cover, March.
1982 Greer, Rina. Down the Garden Path, catalogue, Toronto Sculpture Garden. Toronto, Ontario.
1982 Aarons, Anita. Small Sculpture, catalogue, Art Gallery at Harbourfront, Toronto, Ontario.
1980 Aarons, Anita. Sculpture as Image. catalogue, Art Gallery at Harbourfront. Toronto, Ontario.
1979 Aarons, Anita. Sculpture '79, catalogue, Art Gallery at Harbourfront, Toronto, Ontario.
1974 Kritzwiser, Kay. The Globe and Mail, review, August 17, 1974, p.26.

Ted Rettig is represented by the Wynick/Tuck Gallery, Toronto, Ontario, Canada